Some of the photos you may have seen on other sites. We are going to assemble as many as we can in one place for all to enjoy
The Bozak move to Florida was completed months before this November 1989 bulletin appeared.
These are just a couple of the hundreds of boxes of parts that went to TAI in Florida. The move beginning in 1987 involved 5 tractor trailers filled with material from the 45,000 square foot Connecticut factory.
Bozak relocated to several locations in different counties while in Connecticut. This was the last location everything moved to Florida from.
Factory built DLB with 3 RK40 Line levels in place of Aux channels 1-3 Balance potentiometers. This was a 2 Phono, 9 Aux, and 1 Microphone factory built mixer.
Another photo showing the interior of the factory custom Bozak DLB. It was later purchased by Scott Fitlin owner of the Coney Island bumper car ride. It was installed in the last original Richard Long disc-tech sound system that survived the 1970s. It replaced the original Bozak DL model to offer more options required by the owner.
The 919 was a premium mixer preamplifier and father of the CMA 10-2DL. Before the release of the DL and even with the CMA 10-2D mixer available, several of the 919 mixers were fitted with rack mount ears and installed in clubs. It had linear faders similar to early club mixers seen in early clubs before the rotary became the standard most desirable style. Several 919 mixers were custom fitted with
The 919 is hard to find and the rotary version near impossible to come across. It had 2 stereo phono inputs, 1 stereo auxiliary input, and 1 stereo microphone with a 3 band eq per channel and tone filters. All inputs were Cue/Program selectable at the front headphone jack. If you look close you will see all the interior cards that were carried over into the DL. Many of the options were omitted on
Insides of the 10-2 electronics. Mono cards were used to create stereo channels. The CMA 10-2D used these electronics to create a stereo mixer. The CMA 10-2DL uses stereo cards developed in house from the 919 mixer in place of the older mono card technology
This is the mono 10-2 phono card. A stereo input channel required 2 of these to create a stereo input. The 919 incorporated 2 of these boards onto one card for the stereo phono. All the 919 cards were used in the CMA 10-2DL.
Bozak engineer samples with tested updates. Once approved they would be used in production updates.
Engineers reverse glass print of the 919 power supply card.
Bozak engineer samples with tested updates. Once approved they would be used in production updates.
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